
Eight members of the Alexandria Ceremonial Police Orchestra find themselves deserted for the night in the Israeli village Bet Hatikva, a ghost town with a similar name to where they're supposed to be, Petah Tiqva. A few kind strangers offer up their homes to the men, and through roughly three main stories touch on issues of loneliness, regret, and true happiness.
The film flows so elegantly between the separate story lines, it feels near magical. The humor and tenderness of the actors never once comes across as forced, and the writing makes the scenarios seem completely realistic, even when they shouldn't. The mingling of English, Hebrew and Arabic sounds like shear music, and what music is actually in the film is always right on the edge of sadness, almost beckoning for tears to be shed.

I want the cast of "The Band's Visit" to be in everything else. Absolutely everything else. They're... they're just so good. It's like they were forced to bear their very souls for the camera, at gunpoint, and with their children dangling over a pit of venomous snakes, because that's how good they were. The way they handle minute gestures, and all body language, is so precise, so stressed in the most subtle way. A lot of this review is oxymoronic... but it needs to be.
"The Band's Visit" is one of the best I've seen. Though it came out in 2007, and should have won the Oscar for Best Foreign Picture, it was rejected by the Academy for being in English more than half the time. Which is an absolute insult. If it comes from another country, doesn't that make it foreign? It boggles the mind. "The Band's Visit" should win every award forever. No questions. Especially no questions.
- Eric T. Voigt, Felt A Little Shmaltzy On That One
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